When I was 12 I fainted to the flicker and whir of a film projector. It was in shop class.
Metrograph exclusives — original essays and interviews
May 22 Letter to Jane: Notes for a Hypothetical Piece
I would begin my movie about Jane this way: by describing and then leaving behind Godard and Gorin’s ultimately male take on Jane.
April 26 Emile de Antonio's Double Bills
In 1974, Emile de Antonio, the radical filmmaker whose cinematic chronicles of Cold War America changed the face of documentary moviemaking, was speculating about how best to present a survey of his work.