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THE METROGRAPH
Introducing Issue 2 The Metrograph, the new print publication for film lovers and beyond.
METROGRAPH AT HOME
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Today's Films
Friday May 29
Saturday May 30
Sunday May 31
Monday June 1
Tuesday June 2
Friday June 5
Saturday June 6
Sunday June 7
Friday June 12
Saturday June 13
Sunday June 14
Friday June 19
Saturday June 20
Sunday June 21
NOW PLAYING IN THEATER
This weekend at Metrograph: Opening weekend for the first run of With Hasan In Gaza with director Kamal Aljafari in person for Q&As moderated by Alia Ayman and Yasmina Tawil; New Museum Presents New Humans: From Museum to Screen, our monthly collaboration with the New Museum, continues with La Jetée preceded by How Not to be Seen followed by a Q&A with artist Hito Steyerl on Friday; fascist plots, erotic obsessions, and existential despair in Hotel Europa accompanying opening weekend of a new 4K restoration of Dead Mountaineer’s Hotel; The Dog Dies on 35mm in Mad Max 2: The Road Warrior, Cujo, The Thing, and A Fish Called Wanda, and more!
Now Streaming
Highlights from the May slate of new arrivals to Metrograph At Home include the Exclusive Streaming Premiere of the new restoration of the late Henry Jaglom’s 1983 New York City rom-com Can She Bake a Cherry Pie?; Three by Iranian filmmaker Jafar Panahi; new additions to our series celebrating Thai producer and filmmaker Anocha Suwichakornpong feature Come Here and Krabi, 2562; new titles joining the sections Animation for Adults (the Quay Brothers’s The PianoTuner of Earthquakes), Contemporary Cinema (Maria Sødahl’s drama Hope; Wei Shujun’s multi-award-winning crime drama Only the River Flows; and Mikhaël Hers‘s The Passengers of the Night, starring Charlotte Gainsbourg), and International Arthouse (Ang Lee‘s 1991 comedy Pushing Hands), and more!
JOURNAL
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Columns
Futures and Pasts: Dead Mountaineer’s Hotel
On Kromanov’s rug-pulling amalgam of whodunnit and science fiction, an enduring cult item and one of Estonian cinema’s towering peaks.
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Essay
With Hasan in Gaza
On the temporal collapse promised by the archive.
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Columns
Futures and Pasts: Pirosmani
On Giorgi Shengelaia’s tender and altogether sublime biopic of the Georgian painter.
journal→
METROGRAPH AT HOME
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