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THE METROGRAPH
Introducing Issue 2 The Metrograph, the new print publication for film lovers and beyond.
METROGRAPH AT HOME
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The Metrograph Commissary
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Today's Films
Tuesday July 28
Friday July 31
Saturday August 1
Sunday August 2
Monday August 3
Tuesday August 4
Thursday August 6
Friday August 7
Saturday August 8
Sunday August 9
Friday August 14
Saturday August 15
Sunday August 16
Friday August 21
Saturday August 22
Sunday August 23
NOW PLAYING IN THEATER
This weekend at Metrograph: As 2026 marks English writer John Berger’s centennial, Film Comment and Metrograph celebrate his legacy with a screening of Alain Tanner’s Jonah Who Will Be 25 in the Year 2000, co-written by Berger and featuring an introduction by Film Comment; thematic series The Worldwide West returns this weekend with the 4K restoration of Ramesh Sippy’s Dacoit Western masterpiece Sholay and Sammo Hung’s delirious kung fu western Millionaires’ Express; our spotlight on the design work of Yves Saint-Laurent in film continues with Stanley Donen‘s Arabesque and Alain Resnais‘ Stavisky introduced by David Campany, Creative Director of the International Center of Photography; more highlights from Gary Oldman’s peerless acting resume in JFK and State of Grace, and more!
Now Streaming
Highlights from the July slate of new arrivals to Metrograph At Home include programs of films by celebrated British artist and experimental filmmaker Ben Rivers; Costa Rican filmmaker Kim Torres, a rising star of Latin American cinema; two features from Emily Atef—the 2022 Cannes selection More Than Ever, which opened to acclaim at Metrograph in 2023 with star Vicky Krieps in attendance; Berlinale Competition title Someday We’ll Tell Each Other Everything—plus the addition of Emin Alper‘s Burning Days and Zhang Lu‘s The Shadowless Tower to our growing Contemporary Cinema collection.
JOURNAL
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Essay
Wake in Fright
On Ted Kotcheff’s masterwork and the great rude awakening of Australian cinema.
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Interview
Tsai Ming-liang
On the influences, personal and melodic, that shaped the Slow Cinema icon’s quarantine musical.
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Essay
My Name Ain’t Suzie
On Angela Chen’s newly restored rebellious portrait of womanhood and sex work in late ’50s Hong Kong.
journal→
METROGRAPH AT HOME
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