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THE METROGRAPH
Introducing Issue 2 The Metrograph, the new print publication for film lovers and beyond.
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Today's Films
Thursday September 10
Friday September 11
Saturday September 12
Sunday September 13
Monday September 14
Tuesday September 15
Wednesday September 16
Friday September 18
Saturday September 19
Sunday September 20
Friday September 25
Saturday September 26
Sunday September 27
Friday October 2
Saturday October 3
Sunday October 4
Friday October 9
NOW PLAYING IN THEATER
This weekend at Metrograph: New restoration of the international uncensored version of Tsui Hark’s Don’t Play With Fire (aka Dangerous Encounters of the First Kind) starts this Friday; celebrate Norwegian filmmaker and master chronicler of feminine ennui Anja Breien with six new restorations accompanied by special guest introductions; explore the concept of home and family with films by Hou Hsiao-hsien, Tsai Ming-liang and Hsin Chi in Jiā: Histories of Home; an Orpheus on 35mm double feature from Jean Cocteau and Marcel Camus on Saturday as part of Classical Cinema, and more!
Now Streaming
Highlights from the September slate of new arrivals to Metrograph At Home: Three new Exclusive Streaming Premieres: Sandhya Suri‘s acclaimed narrative debut Santosh; South Korean auteur Hong Sang-soo‘s 32nd feature By the Stream; and the Restoration Streaming Premiere of Everyone Else, the 2009 sophomore film from award-winning filmmaker Maren Ade (Tony Erdmann); three-film spotlights on Japanese horror master Kiyoshi Kurosawa—comprised of Bright Future, Creepy, and To the Ends of the Earth; films by one of modern Canadian cinema’s premier voices Philippe Lesage, with a focus on the director‘s standout narrative works (The Demons, Genesis, Who by Night). Plus, Great Adaptations, a wide-ranging slate of films drawn from an array of literary works.
JOURNAL
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Interview
Albert Serra
From Locarno, an interview with the indefatigable Catalan filmmaker.
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Columns
Futures and Pasts: Don’t Play with Fire
Foul times in the Fragrant Harbor, in Tsui Hark’s newly restored third feature.
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Essay
Anja Breien
On the late Norwegian filmmaker, master chronicler of feminine ennui.
journal→
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